问答题What we today call American folk art was, art of, by, and for ordinary, everyday I “folks” who, with increasing prosperity and leisure, created a market for art of all kinds, and especially for portraits. Citizens of prosperous, essentially middle-clas

题目
问答题
What we today call American folk art was, art of, by, and for ordinary, everyday I “folks” who, with increasing prosperity and leisure, created a market for art of all kinds, and especially for portraits. Citizens of prosperous, essentially middle-class republics — whether ancient Romans,seventeenth-century Dutch burghers, or nineteenth-century Americans — have always shown a marked taste for portraiture. Starting in the late eighteenth century, the United States contained an increasing number of such people, and of the artists who could meet their demands.

相似考题

1.Text 4Many things make people think artists are weird and the weirdest may be this: artists’ only job is to explore emotions, and yet they choose to focus on the ones that feel bad.This wasn’t always so. The earliest forms of art, like painting and music, are those best suited for expressing joy. But somewhere in the 19th century, more artists began seeing happiness as insipid, phony or, worst of all, boring as we went from Wordsworth’s daffodils to Baudelaire’s flowers of evil.You could argue that art became more skeptical of happiness because modern times have seen such misery. But it’s not as if earlier times didn’t know perpetual war, disaster and the massacre of innocents. The reason, in fact, may be just the opposite: there is too much damn happiness in the world today.After all, what is the one modern form. of expression almost completely dedicated to depicting happiness? Advertising. The rise of anti-happy art almost exactly tracks the emergence of mass media, and with it, a commercial culture in which happiness is not just an ideal but an ideology.People in earlier eras were surrounded by reminders of misery. They worked until exhausted, lived with few protections and died young. In the West, before mass communication and literacy, the most powerful mass medium was the church, which reminded worshippers that their souls were in peril and that they would someday be meat for worms. Given all this, they did not exactly need their art to be a bummer too.Today the messages the average Westerner is surrounded with are not religious but commercial, and forever happy. Fast-food eaters, news anchors, text messengers, all smiling, smiling, smiling. Our magazines feature beaming celebrities and happy families in perfect homes. And since these messages have an agenda -- to lure us to open our wallets -- they make the very idea of happiness seem unreliable. “Celebrate!” commanded the ads for the arthritis drug Celebrex, before we found out it could increase the risk of heart attacks.But what we forget -- what our economy depends on us forgetting -- is that happiness is more than pleasure without pain. The things that bring the greatest joy carry the greatest potential for loss and disappointment. Today, surrounded by promises of easy happiness, we need someone to tell us as religion once did, Memento mori: remember that you will die, that everything ends, and that happiness comes not in denying this but in living with it. It’s a message even more bitter than a clove cigarette, yet, somehow, a breath of fresh air.36. By citing the example of poets Wordsworth and Baudelaire, the author intends to show that ________.[A] poetry is not as expressive of joy as painting or music[B] art grow out of both positive and negative feeling[C] poets today are less skeptical of happiness[D] artists have changed their focus of interest

参考答案和解析
正确答案:
我们所说的美国民间艺术是由普通百姓所拥有、创造并享受的艺术。随着财富和闲暇与日俱增,他们创造了各种艺术的市场,特别是肖像绘画。家境殷实的、主要是中产阶级的市民——不管他们是古罗马人,或是l7世纪荷兰自治城市富裕居民,抑或是19世纪的美国人——都对肖像绘画艺术表现出突出的爱好。从18世纪晚期开始,美国这一群体的数量不断增加,而且满足画像要求的艺术家也不断地增加。
解析: 暂无解析
更多“What we today call American folk art was, art of, by, and fo”相关问题
  • 第1题:

    Today, many cultures divide music______ art music and music of the people.

    A、from

    B、into

    C、over

    D、beneath


    参考答案:B

  • 第2题:

    We can learn from the last paragraph that the author believes

    A.Happiness more often than not ends in sadness. B.The anti-happy art is distasteful by refreshing. C.Misery should be enjoyed rather than denied. D.The anti-happy art flourishes when economy booms


    正确答案:B

  • 第3题:

    Which of the following is NOT what Hegel believed?

    A. The content and form of the work of art cannot be separated from each other.
    B. The content of the work of art is always the true object of aesthetic interest.
    C. The content presented without any individuality is not the content of the work of art.
    D. The content understood by means of a process of discursive thought is no more than a husk.

    答案:B
    解析:
    本项可以根据第二段中的内容得到答案,第二句话开始人们试图对艺术品找到一个实在东西表达其含义,但是失败了。所以B项的内容是错误的。

  • 第4题:

    We utilized______films, semi-formal interviews and participant observation to explore the relationship between urban livelihoods and art creation.

    A.silent
    B.romantic
    C.documentary
    D.document

    答案:C
    解析:
    本题考查固定搭配。题目意为“我们运用纪录片、半正式访谈和参与者观察等方法,探讨城市生计与艺术创作之间的关系。”根据句意,空格处应为纪录片、纪录电影这种能够体察社会实情的艺术形式。A选项“无声电影”,B选项“浪漫电影”,C选项“纪录片”,D选项“文件”,不接电影。固定搭配documentary film 纪录片、纪录电影。
      

  • 第5题:

    “午餐准备什么菜肴”用英文表示为()。

    • A、What are we going to prepare?
    • B、What is my job for today?
    • C、What dishes do we prepare for lunch?
    • D、What are we do for lunch?

    正确答案:C

  • 第6题:

    问答题
    Expressionism  Expressionism is an art movement that produced a wealth of wonderful works of art, and the lives of the artists who created them were no less colorful and exciting. The word expressionism can be used to describe art from different times and places, most of them were part of a movement that took place in Germany from 1905 to 1920. They shared some of the beliefs. Those beliefs were that art should try to change society, to make it less conservative. It should express the energy of nature—following in the footsteps of Vincent van Gogh—-and personal feeling rather than simply representing nature. It should feel uncomfortable, which means it should challenge the traditional ways of looking at the world. This differed from the opinion of Henri Matisse who believed that art should be comfortable. Expressionist art should be inspired by folk art, and the art of what were then called primitive people, for example from Africa.  The aim of the Expressionists was to express personal feeling about what they were painting rather than representing it exactly as it was. It should have strong colors and shapes, be relatively direct, untutored and unplanned and should still contain recognizable things, but not be realistic. The lines could be distorted, and the colors could be strengthened or changed as in the art movement that began in 1905 called Fauvism.  Expressionism was more than a style in painting. It could be found in theatre and cinema, literature and architecture. It was a sharing of ideas and experiences across all these media. The life stories of the Expressionist artists show just how much they had in common. Many began by studying applied art, such as furniture design, often to please their parents. Although they later made more personal art, they continued to make use of those technical skills. Both art critics and the public received this new movement with derision and outrage. Expressionist artists were trying to shock by challenging the traditional, conservative views held by many people. Gradually, however, it became accepted and even admired.  All the Expressionists were affected by World War I (1914-18). Some fled from Germany and spent the war years in exile. Some never returned to their homeland. Most served in the war and some were killed. At first some of them hoped a war would change society for the better but they were soon disillusioned when they saw the destruction and suffering that it caused. In the years after the war, many Expressionist artist revealed the horrors they experienced in their work.  After World War I, Expressionism became very fashionable in Germany, where art was allowed to flourish. This freedom ended in 1933 when Hitler declared all Expressionists were degenerate. This led to them being sacked from their jobs or forced to leave Germany. In 1937 the Nazis took thousands of art works from German museums and put them in an enormous exhibition called the Degenerate Art Exhibition, to show how bad and decadent this art was. It presented a view of the world that went against their political and cultural ambitions to rid Germany of all inferior races.

    正确答案: 【参考译文】
    表现主义 表现主义是20世纪初至30年代盛行于欧美一些国家的艺术流派。它首先出现于美术界,后来在音乐、文学、戏剧以及电影等领域得到重大发展。艺术家们从丰富多彩的现实生活中提取素材,创作了大量优秀的艺术作品。虽然表现主义涵盖的范围很广,但本书中所提到的这些表现主义画家是1905年至1920年间,活跃在德国表现主义运动的舞台上的那部分群体。书中其他被提及的作家,有的是用作品影响了这些画家的创作,有的与这些画家有着共同的创作理念。在理念上,表现主义强调反传统,表现主义画家对社会现状不满,要求变革。受凡·高艺术的影响,在创作上,他们不满足于对客观事物的摹写,要求进一步表现事物的内在实质,突破对人的行为和人所处的环境的描绘,揭示人的灵魂和内心的感情世界,以此来引起观众的强烈震撼和共鸣,它给人们提供了看待周围世界的全新视角。表现主义的这一创作观点与野兽派亨利·马蒂斯的观点很不一致,后者认为艺术应该能给人带来内心的祥和与平静,起到抚慰的作用。
    表现主义画家在创作过程中改变了以往以写实为主的油画传统,注重通过作品来表达画家个人的真实情感。表现主义的创作受到民间艺术和原始艺术,如非洲艺术的启发。其作品大都色彩鲜艳,轮廓粗犷,虽然在其间也能看见具体的形象,但绝不写实。它们直接、纯朴、直觉地表达了画家的情感。与野兽派的技法较为相近,它擅长运用扭曲的线条或是粗犷的色彩轮廓。
    表现主义的影响不仅仅局限于美术界,其创作理念在戏剧、电影、文学以及建筑领域中都有所体现。表现主义画家的生平也有着许多共同之处,比如为了讨好父母,他们大都从学习应用工艺美术起步,如家居设计等。尽管他们后来也有了自己个性化的创作,但这些实用技巧仍会在他们的作品中有所体现。因为试图通过这种新的创作方式向传统而保守的社会观念发起挑战,在出现之初,便受到艺术评论家的公然嘲笑,引起了公众的极度愤慨。不过,随着时代的变迁,它逐渐为人们所接受,甚至成为年轻人崇拜的对象。
    第一次世界大战对表现主义画家影响很大。战争期间,他们有的逃离了德国,过着流亡的生活,有些从此就再也没能回去。他们中的大多数都参加了战争,有的在战斗中不幸牺牲。参战之初,他们对战争抱有幻想,期望它能使这个腐化的世界变得更美好,但是战争爆发后不久,这个幻想就破灭了。在亲眼目睹了无数的流血、牺牲、人们流离失所、痛苦挣扎的情景之后,这些画家的精神受到了极大的摧残,战后纷纷在作品中对当时所经历的恐惧和伤害进行了刻画。
    一战结束后,百废待兴,表现主义也在德国风靡一时,成为主流艺术。1933年,希特勒上台,情况随之发生了变化。在表现主义作品中,希特勒看到了不利于德国当时所采取的种族灭绝政策的倾向,便宣布表现主义画家都是“堕落分子”。他们在德国社会中已无立足之地,纷纷失去了工作,被迫离开祖国。1937年,纳粹当局从德国博物馆搜罗出上千幅表现主义作品,并组织了一场名为“堕落艺术”的大型展览,以此来宣扬这种艺术形式的腐朽和败坏。
    解析: 暂无解析

  • 第7题:

    单选题
    What do we find after the development of the laser in the 1960s?
    A

    Industrial revolution brought surgery changed greatly.

    B

    Medical help became available for industrial workers.

    C

    The study of art went through a complete revolution.

    D

    Human being’s methods in surgery changed greatly.


    正确答案: D
    解析:
    事实细节题。由关键词the development of the laser定位第一段最后一句可知“激光为外科手术带来革命性的变化”,故选D项。

  • 第8题:

    单选题
    As we are()urgent need of Art.No.5609,please ship our order with out delay.
    A

    on

    B

    of

    C

    in

    D

    to


    正确答案: A
    解析: 暂无解析

  • 第9题:

    问答题
    Practice 1  When a new movement in art attains a certain fashion, it is advisable to find out what its advocates are aiming at, for, however farfetched and unreasonable their principles may seem today, it is possible that in years to come they may be regarded as normal. With regard to Futurist poetry, however, the case is rather difficult, for whatever Futurist poetry may be even admitting that the theory on which it is based may be right, it can hardly be classed as Literature.  This, in brief, is what the Futurist says. Over one century, the life situation in the past had been changed rapidly. And now, we live in the world which is full of noise, violence and speed.

    正确答案:
    【参考译文】
    当一种新的艺术倾向形成某种时尚时,可取的态度是弄清楚其倡导者们的目的所在,因为,他们所主张的无论在今天看来是多么的牵强附会、毫无道理,将来有可能被视为正常。然而,就未来派诗歌而言,那就很难说了。因为,无论未来派诗歌是什么,即使承认其理论根据可能正确,也很难被称之为文学。
    简而言之,未来主义者就是这么说的。一个世纪以来,过去的生活状况一直在急剧变化。现在,我们生活在一个充斥着噪声、暴力和快节奏的世界中。
    解析: 暂无解析

  • 第10题:

    单选题
    Today, many cultures divide music()art music and music of the people.
    A

    from

    B

    into

    C

    over

    D

    beneath


    正确答案: A
    解析: 暂无解析

  • 第11题:

    问答题
    What we today call American folk art was, art of, by, and for ordinary, everyday I “folks” who, with increasing prosperity and leisure, created a market for art of all kinds, and especially for portraits. Citizens of prosperous, essentially middle-class republics — whether ancient Romans,seventeenth-century Dutch burghers, or nineteenth-century Americans — have always shown a marked taste for portraiture. Starting in the late eighteenth century, the United States contained an increasing number of such people, and of the artists who could meet their demands.

    正确答案:
    我们所说的美国民间艺术是由普通百姓所拥有、创造并享受的艺术。随着财富和闲暇与日俱增,他们创造了各种艺术的市场,特别是肖像绘画。家境殷实的、主要是中产阶级的市民——不管他们是古罗马人,或是l7世纪荷兰自治城市富裕居民,抑或是19世纪的美国人——都对肖像绘画艺术表现出突出的爱好。从18世纪晚期开始,美国这一群体的数量不断增加,而且满足画像要求的艺术家也不断地增加。
    解析: 暂无解析

  • 第12题:

    问答题
    Practice 10  We learned from your advertisement in Globe Boston that you are an exporter of glass art works and we are availing ourselves of this opportunity to ask you to send us some samples of the advertised products. Our firm is a company engaged in import/ export of arts and crafts. Recent years we have put more interest in glass art works. We are thinking of expanding our business to the US and hope we will establish business relations with you soon.

    正确答案:
    【参考译文】
    我方从贵公司在《波士顿全球报》上刊登的广告中获悉,贵公司是玻璃艺术品的出口商。我方借此机会,请贵公司惠送贵方在广告中所推销产品的样品。我方是专门经营工艺品进出口的公司,近年来对玻璃艺术品有了更大的兴趣。现在我方正计划把业务扩展到美国,因而希望能尽快与贵公司建立贸易关系。
    解析:
      ①这是一封请求建立贸易联系的信函,在翻译此类信函的时候,措辞要礼貌、客气、委婉和正式。
      ②exporter译为“出口商”。
      ③availing ourselves of this opportunity译为“我方借此机会”。
      ④engaged in译为“经营……”。
      ⑤Globe Boston为刊物,译为中文时应加书名号。

  • 第13题:

    In the years after the Civil War most American painters received their training in Europe, the majority studying in the French schools at Paris or Barbizon, and a smaller number in Germany at Munich(慕尼黑) and Dusseldorf(杜塞尔多夫). The teaching of the Barbizon school, which stressed the use of color and the creation of an impression or a mood, influenced many American artists. One group of American painters, led by James McNeill Whistler and John Singer Sargent, expatriated(移居国外) themselves from the American scene and settled in Europe. Whistler, who is often ranked as the greatest genius(天才) in the history of American art, was a versatile(多才多艺的) and industrious(勤奋的) artist who was equally proficient(熟练的) in several media-oil, watercolor, etching(铜版画)-and with several themes-portraits and his so-called "nocturnes(夜景画)", impressionistic sketches(印象画) of moonlight on water and other scenes. He was one of the first to appreciate the beauty of Japanese color prints and to introduce Oriental concepts into Western art.

    1. For a period after the Civil War, the majority of American painters ____.

    A、was influenced by the Barbizon school

    B、painted in the impressionist style

    C、studied art in Europe

    D、used striking color in their work

    2. According to the passage, one group of American painters ____.

    A、left America never to return

    B、turned their back on the American art tradition

    C、copied the style. of Whistler and Sargent

    D、were unaffected by the European style. of painting

    3. From the passage we are led to believe that Whistler ____.

    A、did much of his painting at night

    B、produced a large number of pictures

    C、combined several media and themes in his paintings

    D、was most proficient in impressionistic sketches

    4. According to the passage, Whistler was one of the first Western painters to ____.

    A、use Japanese ideas in his own work

    B、become interested in Japanese printing

    C、admire Japanese oil paintings

    D、start producing Japanese sketches

    5. The main theme of this passage is ____.

    A、Whistler's influence on Western art

    B、The influence of European art on American painters

    C、The influence of Oriental art on Whistler

    D、The American painters' influence in Europe


    参考答案:1-5:CABAB


  • 第14题:

    The most appropriate title for this text could be __.( )

    [A] Fluctuation of Art Prices

    [B] Up-to-date Art Auctions

    [C] Art Market in Decline

    [D] Shifted Interest in Arts


    正确答案:C

  • 第15题:

    阅读理解
    Two related paradoxes also emerge from the same basic conception of the aesthetic experience. The first was given extended consideration by Hegel, who argued roughly as follows: our sensuous attention and that gives to the work of art its peculiar individuality. Because it addresses itself to our sensory appreciation, the work of art is essentially concrete, to be understood by an act of perception rather than by a process of discursive thought.
    At the same time, our understanding of the work of art is in part intellectual; we seek in it a conceptual content, which it presents to us in the form of an idea. One purpose of critical interpretation is to expound this idea in discursive form—to give the equivalent of the content of the work of art in another, nonsensuous idiom. But criticism can never succeed in this task, for, by separating the content from the particular form, it abolishes its individuality. The content presented then ceases to be the exact content of that work of art. In losing its individuality, the content loses its aesthetic reality; it thus ceases to be a reason for attending to the particular work and that first attracted our critical attention. It cannot be this that we saw in the original work and that explained its power over us.
    For this content, displayed in the discursive idiom of the critical intellect, is no more than a husk, a discarded relic of a meaning that eluded us in the act of seizing it. If the content is to be the true object of aesthetic interest, it must remain wedded to its individuality: it cannot be detached from its "sensuous embodiment" without being detached from itself. Content is, therefore, inseparable from form and form in turn inseparable from content. (It is the form that it is only by virtue of the content that it embodies.)
    Hegel's argument is the archetype of many, all aimed at showing that it is both necessary to distinguish form from content and also impossible to do so. This paradox may be resolved by rejecting either of its premises, but, as with Kant's antinomy, neither premise seems dispensable. To suppose that content and form are inseparable is, in effect, to dismiss both ideas as illusory, since no two works of art can then share either a content or a form-the form being definitive of each work's individuality.
    In this case, no one could ever justify his interest in a work of art by reference to its meaning. The intensity of aesthetic interest becomes a puzzling, and ultimately inexplicable, feature of our mental life. If, on the other hand, we insist that content and form are separable, we shall never be able to find, through a study of content, the reason for attending to the particular work of art that intrigues us. Every work of art stands proxy for its paraphrase. An impassable gap then opens between aesthetic experience and its ground, and the claim that aesthetic experience is intrinsically valuable is thrown in doubt.
    1. Hegel argued that .

    A. it is our sensuous appreciation that gives peculiar individuality to the work of art
    B. it is the content of the work of art that holds our attention
    C. the work of art cannot be understood without a process of logical thinking
    D. the form of the work of art is what our sensuous appreciation concentrates on

    答案:D
    解析:
    本题的答案线索可以在第一段的最后一句话中找到。A项应该是sensuous attention. B项没有提到,C项正是黑格尔所反对的。

  • 第16题:

    We should give our guests some art crafts authentically Chinese so that they could better understand Chinese culture.

    A: genuinely
    B: elegantly
    C: intentionally
    D: thoroughly

    答案:A
    解析:
    句意为:我们应该送客人纯正的中国工艺品,以便他们更好地了解中国文化。authe-ntically意为“真正地”; genuinely意为“真正地、诚实地”, elegantly意为“雅致地、优雅地”; intentionally意为“故意的”, thoroughly意为“完全的、彻底的”。

  • 第17题:

    As we are()urgent need of Art.No.5609,please ship our order with out delay.

    • A、on
    • B、of
    • C、in
    • D、to

    正确答案:C

  • 第18题:

    单选题
    The Art Makes Good Business program is intended for _____.
    A

    the general public

    B

    modern art lovers

    C

    corporate members of MOCA

    D

    people involved in art business


    正确答案: A
    解析:
    事实细节题。题目中问“艺术成就优秀企业活动是为谁而开展的?”从文章第二段的第一句“The event is open to new and current corporate members of MOCA”可知,本活动是专为那些当代艺术博物馆的新老企业而设的。正确答案为C。

  • 第19题:

    问答题
    What do you think of art education in the kindergartens?  

    正确答案: I think art education in the kindergartens is very wise. The kindergarten period is very important since it is the golden period to explore a kid’s art talent and in fact kids at this period learn things very fast. I believe it is highly beneficial to cultivate and develop the kids’ art talents during this period.
    解析:
    幼儿园时期是人一生中非常重要的时期,它是挖掘一个孩子的艺术天赋的黄金期。在这个阶段培养美感对孩子未来的发展大有益处。

  • 第20题:

    问答题
    Practice 10  What we today call American folk art was, art of, by, and for ordinary, everyday I “folks” who, with increasing prosperity and leisure, created a market for art of all kinds, and especially for portraits. Citizens of prosperous, essentially middle-class republics—whether ancient Romans,seventeenth-century Dutch burghers, or nineteenth-century Americans—have always shown a marked taste for portraiture. Starting in the late eighteenth century, the United States contained an increasing number of such people, and of the artists who could meet their demands.  The earliest American folk art portraits come, not surprisingly, from New England—especially Connecticut and Massachusetts—for this was a wealthy and populous region and the center of a strong craft tradition. Within a few decades after the signing of the Declaration of Independence in 1776, the population was pushing westward, and the portrait painters could be found at work in western New York, Ohio, Kentucky, Illinois, and Missouri. Midway through its first century as a nation, the United States' population had increased roughly five times, and eleven new states had been added to original thirteen. During these years, the demand for portraits grew and grew, eventually to be satisfied by camera.

    正确答案: 【参考译文】
    我们所说的美国民间艺术是由普通百姓所拥有、创造并享受的艺术。随着财富和闲暇与日俱增,他们创造了各种艺术的市场,特别是肖像绘画。家境殷实的、主要是中产阶级的市民——不管他们是古罗马人,或是l7世纪荷兰自治城市富裕居民,抑或是l9世纪的美国人——都对肖像绘画艺术表现出突出的爱好。从18世纪晚期开始,美国这一群体的数量不断增加,而且满足画像要求的艺术家也不断地增加。
    勿需惊奇,美国最早的民间艺术画像来自于新英格兰地区——特别是康涅狄格州和麻萨诸塞州——因为这一地区富裕,人口稠密,而且是浓厚艺术传统的中心。l776年《独立宣言》宣布后的几十年中,人口不断西徙,在纽约州西部、俄亥俄州、肯塔基州、伊利诺伊州、密苏里州,人们随处可见肖像画师绘画的身影。美国独立后50年间,人口增加了近五倍,原先l3个州又增加了11个。在这些岁月里,肖像绘画的需求不断增长,直到有了照相机才算得到满足。
    解析: 暂无解析

  • 第21题:

    单选题
    The passage asserts which of the following about commercial art?
    A

    There are many examples of commercial art whose artistic merit is equal to that of great works of art of the past.

    B

    Commercial art is heavily influenced by whatever doctrines are fashionable in the serious art world of the time.

    C

    The line between commercial art and great art lies primarily in how an image is used, not in the motivation for its creation.

    D

    The pervasiveness of contemporary commercial art has led art historians to undervalue representational skills.


    正确答案: A
    解析:
    文中:But I think that the victory…we may be in danger of ceasing to know.作者认为商业广告的推行和通俗化给艺术历史学家和评论家们造成了一定的难题,即他们会低估这种具象技能。

  • 第22题:

    单选题
    What is the passage mainly about?
    A

    The development of European art.

    B

    Modern art development in the United States.

    C

    Modern artists in the United States.

    D

    Modernism and Cubism.


    正确答案: B
    解析:
    纵观全文,第一段写美国的现代艺术由欧洲的新艺术运动传来,第二段写美国的现代派所受到的影响及其转变,第三段具体介绍现代派之一的立体派。所以,全文是关于现代艺术在美国的发展,故答案为B。

  • 第23题:

    单选题
    The passage is mainly discussing _____.
    A

    the difference between general history and art history

    B

    the making of art history

    C

    what we can learn from art

    D

    the influence of artists on art history


    正确答案: A
    解析:
    文章第一段第一句点明了主题。虽然第一、二段对比了通史和艺术历史的差异,但并非讨论的中心,因为大量篇幅是用来讲述艺术的表现功能和作用,如最后一段,故C符合题意。

  • 第24题:

    单选题
    According to the talk, for what is the Glasgow School of Art famous?
    A

    Its educational faculty.

    B

    Its collection of art works.

    C

    Its architectural design.

    D

    Its museums and art galleries.


    正确答案: D
    解析:
    推理判断题。关于Glasgow School of Art(格拉斯哥艺学院)以什么而闻名遐迩,录音第一句“格拉斯哥是一个研究建筑的好地方”便奠定了主题。接下来的支持性细节提到了Glasgow School of Art,指出该学校是闻名的建筑艺术学校,其设计出于名家之手。由此可推测,选项C(其建筑设计)与录音原文相符。
    【录音原文】
    Glasgow is certainly a good place to study architecture. The Glasgow School of Art is famous and everywhere there are magnificent buildings like the School of Art itself, which was designed by Charles Rennie Mackintosh.